Sunday, December 14, 2008

EDELWEISS

EDELWEISS
Written by: Richard Rodgers and Oscar Hammerstein II

Edelweiss, Edelweiss,
Every morning you greet me,

Small and White,
Clean and bright
You look happy to meet me..

Blossoms of snow

May you bloom and grow,
Bloom and grow forever

Edelweiss,

Edelweiss
Bless my home land forever


Monday, November 17, 2008

BEST ASIA-PACIFIC MOVIE OF ALL TIME



With great joy and pride, I am congratulating the whole staff and cast of one of the most beautiful and unsurpassed masterpieces of the Philippine cinema – Himala (Miracle), which was from the legendary filmmaker and National Artist of Philippine Cinema, Ishmael Bernal.

Recently, the said film won and hailed as CNN APSA Viewer’s Choice Award for the Best Asia-Pacific Film of All Time. It was the right choice and that film really deserves the award because it is really timeless together with one of the brightest stars of the Philippine Movies – Ms. Nora Aunor (who played as Elsa). The cinematic quality and dimension of this film remains unbeatable.

I quoted Nora’s dialogue from the film, which is one of the best movie quotes in the Philippines:

“Walang himala! Ang himala ay nasa puso ng tao, nasa puso nating lahat. Tayo ang gumagawa ng himala. Tayo ang gumagawa ng mga sumpa at ng mga diyos. Walang himala!”

Hat down to all casts and staffs of Himala. It really deserves to be the best!


Additional Sources:

http://edition.cnn.com/2008/SHOWBIZ/Movies/11/13/himala.asiapacificscreenawards/index.html

http://www.asiapacificscreenawards.com/news_room/media_releases/apsa_winners_announced

Saturday, October 4, 2008

Mobile Suit Gundam 00: SECOND SEASON

Synopsis:

Four years since the final battle between Celestial Being and the UN Forces. Humanity, having established the Earth Sphere Federation, forms an independent security preservation force, Arrows, separate from the formal Federation army to further unify nations and the will of mankind. But the reality was the inhumane oppression of anti-government powers, doctrines & ideologies in the name of unity.

Saji Crossroad, who followed the path to becoming a space engineer to keep a promise to Louise Halevy and fulfill a dream, is also compelled to become involved in Federation government reform.

Meanwhile, Setsuna F. Seiei, surviving the final battle 4 years ago, saw the future of the world that had been changed by Celestial Being. With the defeat of guardian Alejandro Corner, he dreamed of a peaceful world without conflict. But before his own eyes was the reality of the continuing strain on peace, the oppression caused by Arrows. He decides once more to fight with Gundam, the power with the potential to change the world.

Where will Setsuna's and Saji's paths take them as the world is set into motion once more?"

---------------------------------------------------------------------------------------------------------------------------------------

I can't wait na... It's October now, the SECOND SEASON'S beginning is at hand...

Friday, September 26, 2008

MARCIA BARTOLOME

MARCIA BARTOLOME'S shall now be known as:

MS. AXIA DALDAL

Bow!

Tuesday, September 16, 2008

CONTROL YOUR TEMPER!!!

This is the continuation of my previous blog, which I posted weeks ago, about another embassy we tried to get Schengen Visa.

After the disastrous response from the German Embassy agent, I contacted quickly the organizers of the event that we’re going to attend. In my email, I explained everything that happened, including my complaint to that rude embassy agent who kept putting “sorry” word on every end of his sentence!

On the next day, with excitement, the organizers replied and told us to try Embassy of Austria in Manila because it is the neighboring country of the place in which we will be going—SLOVAKIA! And the Deaf sports organization of Austria is very much willing to assist us. Thanks goodness!

At the top of my speed, I sent text message to Lovella and told her everything the organizers had told me thru email, and I also encouraged her to check email too. She agreed to go with me to embassy couple or three days after. Before we went there, we made sure that everything is set and complete.

A night before the day we went there, I received a text message from Lovella, who told me to make sure that everything is ready and be there 1 hour or 30 minutes before our appointment time. My reply was very short, it consisted only of three letters—OPO!

The day finally arrived; I left home early, and of course, with excitement! After three hours of travel from my home to Makati, I finally reached the place. I found Lovella’s car parked at the front of embassy building, I knocked the glass window to call her attention. She let me in after seeing me, and we arranged our own things together. Within few minutes, we finally marched to the embassy.

Upon our arrival at the lobby, the guard asked whether we had an appointment with the embassy. With pride, we replied – YES and pointed our names listed on the paper which lied just beside the guard. He let us proceed to fourth floor via elevator; upon arriving there Lovella tapped my back and scolded me about something.

“Bear this in mind you ruddy pig! Be nice and kind when facing an embassy agent! A single raise of eyebrow, knotting of your lips, flaring of your nose and staring dangerously to embassy agent could bring another disaster to us like you did in German Embassy. Worse we might not be able to get a Visa. Control your temper! Your words are too sharp sometimes like your tongue, or I can say sharper than a blade! Do I make myself clear?” She said.

“I will if he will do the same! Pft!” I fired back.

“Heh! Just remember to control your temper. If something unpleasant happened, I will have to scold you!!!”

I hate her…Tsk! I said in my mind.

After few minutes of waiting, the embassy agent called us, as we walk towards him, Lovella signed:

“Mark my words… I’m warning you!”

Grrrrrrrr…

Within few steps, we faced the embassy agent. He requested all our papers, I go first then Lovella. Few minutes after, I noticed him pulling something blue.

“That’s blue stub” Lovella said, “it means we passed.”

I hope… if he failed us, he’ll be my next victim on Death Note! Bad timing… Ryuk’s on vacation!

“Are you sure that blue stub means passed?” I asked.

“Yes! I know better about embassy system. Just trust me.”

“Care to explain further?” I asked again.

“Well, in US Embassy, blue stub means you passed. Yellow means you failed, good thing we didn’t get it or the orange stub.”

“So, there’s orange one which means on hold?”

“Excellent.”

Lovely…

And we finally went back to school together. Both of us just crossed our fingers until the release of our passports.

Monday, September 8, 2008

ONE DAY AT EMBASSY

I was inside LRT Monumento Station on that gorgeous Friday morning. As the train’s speed increases, I leaned on the glass window, gazing at the old buildings and houses of Rizal Avenue. Suddenly, my mobile phone vibrated, which signaled me that a message arrived in my inbox. With eager, I took my phone from my pocket; the texter was anonymous because the mobile phone didn’t show the name of the sender. But upon reading it, I realized that it was from the assistant of the consul of one Schengen embassy.

The news absolutely made my beautiful and lovely day crumble!

It said: “Sir, I was informed only this morning that your Visa cannot be released until your departure date. I suggest that you may try other Schengen embassy around the city.”

“Merlin’s beard!” I said as the train draws closer to Blumentritt Station. It was like someone had just thrown a hot coffee straight to my face. An explainable pressure quickly crept over my whole being as I dropped at Blumentritt Station and rushed to ride a jeep that took me to the consulate of Schengen state which resides along Rizal Avenue Extension.

When I reached the consulate office, the assistant of the consul met me and her lips thinned and thrown a blank expression upon seeing me. I felt that it was like the Christmas had been postponed. She gave to me all the documents that I submitted, and of course, the amount that I paid for the process.

After few minutes, I’m inside the train again, and my whole fingers are busy pushing buttons of my mobile phone, typing message that will be sent to my companion, who are also going with me on the same Schengen state. I informed to her the grieve news and added that all documents were returned to me. Also I added that the consulate suggested that we try to look for other Schengen embassies around Makati area that will be able to help us process our Visas.

“You got list of Schengen embassies?” I asked via text.

“Yes! I have, I’ll meet you at the back of CSB. Hurry up!” She replied.

“I’ll be there in few minutes.” I replied back.

Within few minutes upon reaching Vito Cruz Station, I quickly sprinted out of the train, dashed quickly to the stairs, ignoring people I bumped as I went down, and then raced with the cars that passed Taft Avenue just to cross the other side of the avenue.

I met my comrade at her office; her face was blank of emotions.

“Damn consul! What the hell is he thinking?!?” I said.
“Don’t mind it. Let’s hurry up. I have class at 2pm.” She replied.
“Okay! I hope we find a better embassy that is more appropriate and sane than that stupid one!” I fired back.
“Calm down…” She assured me.
“Calm down? Eh, that assistant told us to write to embassy to explain the reason that our Visas need to be released immediately, also the consul and ambassador are both aware that the organizers told already all Schengen embassies about the event, and I did what she instructed. Now their assistant just ruined my day by texting me that they’ll not able to process that on short amount of time because the consul was on vacation! Why she didn’t suggest that we try other Schengen embassies earlier? Oh! Where’s my death note?!” I signed at the top of my speed.
“Would you mind to shut up? Or I’ll bump this car to your butt?” She fired back.

Our first destination is German Embassy which is located in Makati City, on 25th floor of RCBC Tower. We reached the place in few minutes, and I prepared myself to ask the embassy’s mercy to grant us Schengen Visa.

“My sister works here.” I said with dignity and pride.
“Great! My sister-in-law too works here in Australian Embassy.” She said.
“Really?” I said, “I hope she works at German Embassy and she’ll be able to issue us Visa immediately.”
“I doubt that.”
“Why?”
”Biases are not allowed in embassy.”
“Lovely,” I said in my mind with raised eyebrow.

We deposited our bags and other nonsense belongings to the guards at the lobby, and quickly sprinted towards elevator that took us to 25th floor of the RCBC Tower. Upon our arrival, the guard double checked us and our belongings. After that, I and my companion found ourselves face to face with grumpy looking man, who was sitting in front of us with a thick bulletproof glass that separates us.

“Wow this place is heavily guarded,” my companion said.
“Why so?” I asked.
“No idea. What do you think?”
“I think it’s weird. Inquirers are never going to attack them with any weapons or clenched fist. Duh!” I said irritably.
“Sometimes it is possible, I think.” She replied.
“What? Does it ever happen? Inquirers threatened embassy agents?”
“I think so.”

The man who was sitting in front of us started to speak, but we gestured that we’re both Deaf. He got a two piece of empty and long bond papers, and a pen. Guess what? The table desk was a little bit weird!

There was a large square hole on the table desk of the agent, and the same goes on me. The agent opened the box and put the bond papers and pen, and he pulled something that delivered it to us.

“Really a weirdo… can they just give the pen and paper normally than adding dramatic entrance to our communication needs? Pft!” I said irritably.

“If you don’t stop signing discriminately, I’ll push your head hard on this bulletproof glass! I’m warning you!”

“PFT!!!”

Then, I started to write, explained that there will be a coming prominent activity of the Deaf in Slovakia and most Schengen states are aware of it, and told him of the disaster that brought to us by the good-for-nothing consul. I asked if it is possible for the German embassy to issue us a Schengen Multiply Visa that will enable us to have access to various Schengen States, and most importantly, will allow us to enter Bratislava.

The agent put down the paper on the table and started to write. He wrote directly in position which I can see clearly. His response totally added another unforgettable destruction that ruined my afternoon!

AGENT: Sorry. We cannot issue you a Visa because… (I forgot what he had just written).

MYSELF: Sorry? I don’t understand you sir. Can you please explain?

AGENT: (I forgot what he told first, but the last five letters of his last word was “SORRY”)

MYSELF (signing to my comrade): This man added pain in my ass!

COMRADE (signing): Ask him why.

MYSELF (signing): I already asked. He just keeps putting that disgusting “sorry” word in the end of his every sentence.

COMRADE (signing): Ask him. Just ask.

MYSELF: How long does it take to process a Visa?

AGENT: About two weeks.

MYSELF: It is not bad because it is only third week of August and our departure will be second week of September. Will it be possible to shorten the process?

AGENT: Maybe. But I’m not sure whether your visa will be released on second week of September. Sorry.

MYSELF (speaking to myself): Fuck you! You said processing takes two weeks, now you’re denying that our Visa might not be released in two weeks. What kind of communication is this? Your brain must be malfunctioning dude! You’re the most pitiful species on earth I’ve ever seen… Tsk!!!

COMRADE (signing): What did he say?

MYSELF (signing): I asked how long the process can take, he said two weeks. I explained that it is fine because our departure is second week of September and it is only third week of August, we have still enough time. But, he just said that it might not be released before our departure. What the hell is he thinking?! He’s mental! We better help him find is brain somewhere around here, it might be roaming unconsciously! Pft!

COMRADE (signing): Hey! Calm down. Better ask him the requirements.

MYSELF: May we have the requirements for the process of our Visa?

AGENT: You may download the form on our website, and you’ll also able to read the requirements there. But, I’m still unsure whether we can issue you a Visa. Sorry.

MYSELF (speaking to myself): Go to hell sir! My eyes are really tired of reading that “sorry” word on your paper. If this bulletproof glass is not standing here, I already grabbed you out of your seat and give you a black-eye! Fook!

COMRADE (signing): Why did he said sorry?

MYSELF (signing): Nevermind! Let’s leave and look other embassy. This embassy sucks!

We thanked the agent, but before we reached the exit, he wrote something and showed it to us.

AGENT: Do you know Mr. B_ _ _ _ _ _ _ _ _n?

MYSELF: Yes! He was my professor during my tertiary years.

AGENT: Send my regards to him. I’m his good friend.

MYSELF: Sure. I will.

MYSELF (talking to myself): Good friend? You’re not only a pitiful species, but also a big fat liar! Bugger off!

And then, me and my comrade exited the embassy, upon our arrival at car park, we drove to other Schengen embassies around Makati area.

Saturday, August 16, 2008

MANGA NA DIN AKO!!!

Thanks to Humphs for the website... I really liked it...

Here's the link for interested ones: http://www.faceyourmanga.com/homepage.php?lang=eng

Sunday, August 10, 2008

WIN 2 AIRLINE TICKETS ALL EXPENSES PAID TO THE 2008 OLYMPIC GAMES IN CHINA

Join now! To participate is very easy, just view the attached photo, correctly answer the following questions and send your answers to the International Olympic Committee:

1. Which student seems to appear tired / sleepy?
2. Which ones are male twins?
3. Which ones are the female twins?
4. How many women are in the group?
5. Which one is the teacher?

Good Luck!!

Olympic time again and this is how they come up with the Beijing 2008 Olympic logo design.

Go Team Philippines!

WIN 2 AIRLINE TICKETS ALL EXPENSES PAID TO THE 2008 OLYMPIC GAMES IN CHINA

Link

Friday, August 8, 2008

ONE WORLD, ONE DREAM


CILTIUS, ALTIUS, FORTIUS
(Faster, Higher, Stronger)

A very warm welcome to the inauguration of the 2008 Olympic Games at Beijing.

Monday, July 28, 2008

I HAVE THE POWER!!!

Favorite cartoon series ko ito dati nun bata pa ako... Just reminiscing the old times... Hehehe!



BY THE POWER OF GREYSKULL
HE CRIES IN A BLAZE OF LIGHT
HE TURNS INTO THE MIGHTY, HE-MAN!

I HAVE THE POWER!



PREQUEL to Harry Potter

Nakuha ko lang ito sa isang sender mula sa multiply... take time to read Harry Potter fans! It seems JK Rowling wont put aside her pen after the series ended ha...

This is the prequel that J.K. Rowling wrote for the Waterstone's Auction. It earned more than $50,000 for charity. Here it is:

The Story:

The speeding motorcycle took the sharp corner so fast in the darkness that both policemen in the pursuing car shouted, "Whoa!" Sergeant Fisher slammed his large foot on the brake, thinking that the boy who was riding pillion was sure to be flung under his wheels; however, the motorbike made the turn without unseating either of its riders, and with a wink of its red tail lights, vanished up the narrow side street.

"We've got 'em now!" cried PC Anderson excitedly. "That's a dead end!"

Leaning hard on the steering wheel and crashing his gears, Fisher scraped half the paint off the flank of the car as he forced it up the alleyway in pursuit.

There in the headlights sat their quarry, stationary at last after a quarter of an hour's chase. The two riders were trapped between a towering brickwall and the police car, which was now crawling towards them like some growling luminous-eyes predator.

There was so little space between the car doors and the walls of the alley that Fisher and Anderson had difficulty extricating themselves from the vehicle. It injured their dignity to have to inch, crab-like, towards the miscreants. Fisher dragged his generous belly along the wall, tearing buttons off his shirt as he went, and finally snapping off the wing mirror with his backside.

"Get off the bike!" he bellowed at the smirking youths, who sat basking in the flashing blue light as though enjoying it.

They did as they were told, finally pulling free from the broken wing mirror, Fisher glared at them. They seemed to be in their late teens. The one who had been driving had long black hair, his insolent good looks reminded Fisher unpleasantly of his daughter's guitar-playing, layabout boyfriend. The second boy also had black hair, though his was short and stuck up in all directions; he wore glasses and a broad grin. Both were dressed in t-shirts emblazoned with a large golden bird; the emblem, no doubt, of some deafening, timeless rock band.

"No helmet!" Fisher yelled, pointing from one uncovered head to the other. "Exceeding the speed limit by-by a considerable amount!" (In fact, the speed registered had been greater than Fisher was prepared to accept that any motorcycle could travel.) "Failure to stop for the police!"

"We'd have loved to stop for a chat," said the boy in glasses,"only we were trying--"

"Don't get smart-you two are in a heap of trouble!" snarled
Anderson. "Names!"

"Names?" repeated the long-haired driver.

"Er-Well, let's see. There's Wilberforce...Bathsheba...Elvendork..."

"And what's nice about that one is, you can use it for a boy OR a girl," said the boy in glasses.

"Oh, our names, did you mean?" asked the first, as Anderson spluttered with rage."You should've said! This here is James Potter, and I'm Sirius Black!"

"Things'll be seriously black for you in a minute, you cheeky little-"

But neither James nor Sirius was paying attention. They were suddenly as alert as gundogs, staring past Fisher and Anderson, over the roof of the police car, at the dark mouth of the alley. Then, with identical, fluid movements, they reached into their back pockets.

For the space of a heartbeat both policemen imagined guns gleaming at them, but a second later they saw that the motorcyclists had drawn nothing more than-"Drumsticks?" jeered
Anderson.

"Right pair of jokers, aren't you? Right, we're arresting you on a charge of--"

But Anderson never got to name the charge. James and Sirius had shouted something incomprehensible, and the beams from the headlights had moved.

The policemen wheeled around, then staggered backwards. Three men were flying-actually flying- up the alley on broomsticks-and at the same moment,the police car was rearing up on its back wheels.

Fisher's knee bucked; as he sat down hard;
Anderson tripped over Fisher's legs and fell on top of him, as flump-bang-crunch- they heard the mean on brooms slam into the suspended car and fall, apparently insensible, to the ground, while broken bits of broomstick clattered down around them.

The motorbike had roared into life again. His mouth hanging open, Fisher mustered the strength to look back at the two teenagers.

"Thanks very much!" called Sirius over the throb of the engine."We owe you one!"

"Yeah, nice meeting you!" said James. "And don't forget: Elvendork! It's unisex!"

There was an earth-shaking crash, and Fisher and Anderson threw their arms around each other in fright; their car had just fallen back to the ground. Now it was the motorcycle's turn to rear. Before the policemen's disbelieving eyes, it took off into thin air: James and Sirius zoomed away into the night sky, their tail light twinkling behind them like a vanishing ruby.

From the prequel I am not working on-but that was fun! J.K. Rowling.2008


Thursday, July 24, 2008

AN ARTIFACT PULLED STRAIGHT OUT OF A NOVEL

The Wizard and the Hopping Pot
The Fountain of Fair Fortune
The Warlock’s Hairy Heart
Babbitty Rabbitty and her Crackling Stump
The Tale of Three Brothers

These are the five stories that make up one of the most expensive book of this century, which was handwritten and illustrated by the popular author of Harry Potter series Joanne Kathleen Rowling, the Tales of Beedle the Bard.

The Tales of Beedle the Bard was mentioned in the final installment of Harry Potter series, in the Deathly Hallows. It was a small book Dumbledore left to Hermione. Readers knew well the rest of the story.

It was published on December 13, 2007 with only seven limited copies! One copies of the book, the moonstone edition, was offered for auction.

Who bought it?

Actually, the book was expected to be sold at £50,000 (US$103,000) but it was bought by Amazon.com for £1.95 MILLION (US$3.98 MILLION)! Wow! Very expensive! It was “the highest achieved at auction for a modern literary manuscript.”

Where did the money proceed? Well, it was donated to The Children’s Voice charity campaign.

It was described as “one of the most exciting piece of children’s literature.”

Friday, July 18, 2008

EQUIVALENT TRADE

“A painless lesson is one without any meaning.
One who does not sacrifice anything cannot achieve anything.”

-- Full Metal Alchemist (Episode 1: The Two Alchemists)

Do we have always to present something of equal value to get something we want? Or should we lost something to gain something better? Is this the principle that balances our everyday life?

The Principles of Equivalent Trade (or the Law of Conservation) was something that made me think after watching the Full Metal Alchemist series. It even brought me to different internet sites browsing and goggling related articles to Principles of Equivalent Trade or even the Law of Conservation. I even asked myself, if that law is something that governs our daily routine in life.

At first, I believed that the principles do exists, and they are just here around me, around us all. For an example, I cannot buy foods without paying the price requested! One will never able to have money if one does not work hard to earn it! You will never be able to pass subjects if you don’t study hard! You cannot steal if you don’t know what and how to steal! That’s it!


In Full Metal Alchemist series, two young alchemists, Edward and Alphonse Elric, who wanted to revive their dead mother, attempted a dangerous and forbidden alchemy. At first, they thought they succeeded, but sadly they failed. The worst, something was taken from them. Edward had lost his right arm and left limb, while Alphonse’s body was completely taken, but with Edward’s help, he immortalized his brother’s soul inside the suit of armor with a blood seal, written by Edward himself, to keep his brother’s memory alive. All that was left in Alphonse was his voice and a memory fixed by his brother.

“Alchemy; the science of understanding the structure of matter,
breaking it down, then reconstructing it as something else.
It can even make gold from lead. But alchemy is a science,
so it must follow the natural laws:
To create, something of equal value must be lost.
This is the principle of Equivalent Exchange.
But on that night, I learned the value of some things
can't be measured on a simple scale.

My brother and I knew the laws of science,
of Equivalent Exchange, that gain required sacrifice,

that something had to be taken from us.
But we thought there was nothing more we could lose.
We were wrong.”

-- Edward Elric



The consequence, they set out for a long journey in search of the Philosopher’s Stone, the legendary substance that possess astonishing powers. It can transform lead into pure gold, also it produces elixir of life that whosever drinks it will gain immortality, and moreover, it bestows unlimited power.

As they gain closer to finding the Philosopher’s Stone, they came to realize that whoever draws closer to it suddenly gave up or worse, died.

Later, they realized that whoever possesses the Philosopher’s Stone does not necessarily to offer or sacrifice something to get something. With the stone’s power, everything is possible.

If the Principles of Equivalent Trade do really balances the daily routine of our life, then what about the unconditional giving? I admit that sometimes, we receive something without doing or sacrificing anything. It just comes to us, and it came by coincidence whether we want it or not, or on the other hand, whether we expect for it or not. Additionally, sometimes we do lost something, but we do not gain something in return, instead it was others who benefit from it.

“Humankind cannot gain anything without first giving something in return.
To obtain, something of equal value must be lost.
That is alchemy's first law of Equivalent Exchange.
In those days, we really believed that to be the world's one,
and only, truth. But the world isn't perfect,
and the law is incomplete. Equivalent Exchange
doesn't encompass everything that goes on here,
but I still choose to believe in its principle,
that all things do come at a price,
that there's an ebb and a flow, a cycle,
that the pain we went through, did have a reward,
and that anyone who's determined and perseveres,
will get something of value in return,
even if it's not what they expected.
I don't think of Equivalent Exchange as a law of the world anymore.”

-- Alphonse Elric

Sunday, July 13, 2008

From BERSO SA METRO

"Ako'y bagong sibol na halaman,
Na nilabnot sa Silangan,
Kung saan ang hangin ay isang halimuyak,
Kung saan ang buhay ay isang pangarap:
Bayang hindi lilimot kailanman!
Tinuruan akong umawit
Ng huni ng mga ibon;
Ng lagaslas ng mga talon;
At ng alingawngaw ng dagat
Sa dalampasigang malawak."

-- Jose Rizal
Mi Piden Versos (They Asked Me for Verses)

Friday, July 4, 2008

WHOSE DEATH NOTE CHARACTER ARE YOU?

Try this online quiz to know whose Death Note character you're alike...

[URL="http://www.theotaku.com/quizzes/view/922/what_death_note_character_are_you%3F"][IMG]http://www.theotaku.com/guru_results/922_L.jpg[/IMG][/URL]

WHOSE DEATH NOTE CHARACTER ARE YOU?

MELODIES OF LIFE

By: Emiko Shiratori
(OST--Final Fantasy IX)

Alone for a while I've been searching through the dark
For traces of the love you left inside my lonely heart
To weave by picking up the pieces that remain
Melodies of life--love's lost refrain

Our paths they did cross, though I cannot say just why
We met, we laughed, we held on fast, and then we said goodbye
And who'll hear the echoes of stories never told?
Let them ring out loud till they unfold
In my dearest memories, I see you reaching out to me
Though you're gone, I still believe that you can call out my name

* A voice from the past, joining yours and mine
Adding up the layers of harmony
And so it goes, on and on
Melodies of life,
To the sky beyond the flying birds--forever and beyond

So far and away, see the bird as it flies by
Gliding through the shadows of the clouds up in the sky
I've laid my memories and dreams upon those wings
Leave them now and see what tomorrow brings

In your dearest memories, do you remember loving me?
Was it fate that brought us close and now leaves me behind?

* Repeat

If I should leave this lonely world behind
Your voice will still remember our melody
Now I know we'll carry on
Melodies of life
Come circle round and grow deep in our hearts
As long as we remember

Friday, June 27, 2008

THE HEIGHTS OF MACCHU PICCHU: Canto XII

Arise to birth with me, my brother.
Give me your hand out of the depths
sown by your sorrows.
You will not return from these stone fastnesses.
You will not emerge from subterranean time.
Your rasping voice will not come back,
nor your pierced eyes rise from their sockets.

Look at me from the depths of the earth,
tiller of fields, weaver, reticent shepherd,
groom of totemic guanacos,
mason high on your treacherous scaffolding,
iceman of Andean tears,
jeweler with crushed fingers,
farmer anxious among his seedlings,
potter wasted among his clays--
bring to the cup of this new life
your ancient buried sorrows.
Show me your blood and your furrow;
say to me: here I was scourged
because a gem was dull or because the earth
failed to give up in time its tithe of corn or stone.
Point out to me the rock on which you stumbled,
the wood they used to crucify your body.
Strike the old flints
to kindle ancient lamps, light up the whips
glued to your wounds throughout the centuries
and light the axes gleaming with your blood.

I come to speak for your dead mouths.

Throughout the earth
let dead lips congregate,
out of the depths spin this long night to me
as if I rode at anchor here with you.

And tell me everything, tell chain by chain,
and link by link, and step by step;
sharpen the knives you kept hidden away,
thrust them into my breast, into my hands,
like a torrent of sunbursts,
an Amazon of buried jaguars,
and leave me cry: hours, days and years,
blind ages, stellar centuries.

And give me silence, give me water, hope.

Give me the struggle, the iron, the volcanoes.

Let bodies cling like magnets to my body.

Come quickly to my veins and to my mouth.

Speak through my speech, and through my blood.

-- Pablo Neruda --

THE HEIGHTS OF MACCHU PICCHU: Canto XI

Through the dazing splendor,
through the night of stone, let me plunge my hand
and let there beat in me, like a bird a thousand years
imprisoned,
the old forgotten human heart!
Let me forget today this joy this is broader than the sea,
because man is broader than sea and islands
and we must fall in him as in a well to rise from the bottom
with a branch of secret water and sunken truths.
Let me forget, broad stone, the sovereign symmetry,
transcendent measure, honeycombed stones,
and from the square edge let me this day slide
my hand down the hypotenuse of haircloth and bitter blood.
When, like a horseshoe of red-cased wings, the furious condor
hammers my temples in the order of flight
and the hurricane’s blood-dipped feathers sweep the dark dust
on diagonal stairways, I see not the swift beast,
not the blind cycling of its claws,
I see the ancient human, a human slave, sleeping
in the fields, I see one body, a thousand bodies, a man, a
thousand women
under black gusts, blackened by rain and night,
with the stonework’s massive carving:
Jack Stonebreaker, son of Wiracocha,
Jack Coldbiter, son of the green star,
Jack Barefoot, grandson of the turquoise,
Rise to be born with me, brother.

-- Pablo Neruda --

THE HEIGHTS OF MACCHU PICCHU: Canto X

Stone upon stone, and man, where was he?
Air upon air, and man, where was he?
Time upon time, and man, where was he?
Were you too then the broken bit
of half-spent humankind, an empty eagle, that
through the streets today, through footsteps,
through the dead autumn’s leaves,
keeps crushing its soul until the grave?
The meager hand, the foot, the meager life . . .
Did the days of unraveled light
in you, like rain
on pennants at festival,
give off their dark food petal by petal
into your empty mouth?
Hunger, coral of humankind,
hunger, hidden plant, root of the woodcutter,
hunger, did your reef-edge climb
to these high and ruinous towers?

I question you, salt of the roads,
show me the trowel; architecture, let me
grind stone stamens with a stick,
climb every step of air up to the void,
scrape in the womb till I touch man.

Macchu Picchu, did you set
stone upon stone on a base of rags?
Coal over coal and at bottom, tears?
Fire on the gold and within it, trembling, the red
splash of blood?
Give me back the slave you buried!
Shake from the earth the hard bread
of the poor, show me the servant’s
clothes and his window.
Tell me how he slept while he lived.
Tell me if his sleep
was snoring, gaping like a black hole
that weariness dug in the wall.
The wall, the wall! If every course of stone
weighed down his sleep, and if he fell underneath
as under a moon, with his sleep!

Ancient America, sunken bride,
your fingers too,
leaving the jungle for the empty height of the gods,
under bridal banners of light and reverence,
blending with thunder from the drums and lances,
yours, your fingers too,
those that the abstract rose and rim of cold, the
bloodstained body of the new grain bore up
to a web of radiant matter, to the hardened hollows,
you too, buried America, did you keep in the deepest part
of your bitter gut, like an eagle, hunger?

-- Pablo Neruda --

THE HEIGHTS OF MACCHU PICCHU: Canto IX

Sidereal eagle, vineyard of mist.
Bulwark lost, blind scimitar.
Starred belt, sacred bread.
Torrential ladder, giant eyelid.
Triangled tunic, pollen of stone.
Granite lamp, bread of stone.
Mineral serpent, rose of stone.
Buried ship, wellspring of stone.
Lunar horse, light of stone.
Equinox square, vapor of stone.
Final geometry, book of stone.
Iceberg carved by the squalls.
Coral of sunken time.
Rampart smoothed by fingers.
Rood struck by feathers.
Branching of mirrors, ground of tempests.
Thrones overturned by twining weeds.
Rule of the ravenous claw.
Gale sustained on the slope.
Immobile turquoise cataract.
Sleepers’ patriarchal bell.
Collar of subjected snows.
Iron lying on its statues.
Inaccessible storm sealed off.
Puma hands, bloodthirsty rock.
Shading tower, dispute of snow.
Night raised in fingers and roots.
Window in the mist, hardened dove.
Nocturnal plant, statue of thunder.
Root of the cordillera, roof of the sea.
Architecture of lost eagles.
Cord of the sky, bee of the heights.
Bloodstained level, constructed star.
Mineral bubble, moon of quartz.
Andean serpent, brow of amaranth.
Dome of silence, purebred homeland.
Bride of the sea, cathedral tree.
Salt branch, blackwinged cherry tree.
Snowswept teeth, cold thunder.
Scraped moon, menacing stone.
Crest of the cold, pull of the air.
Volcano of hands, dark cataract.
Silver wave, direction of time.

-- Pablo Neruda --

THE HEIGHTS OF MACCHU PICCHU: Canto VIII

Climb up with me, American love.

Kiss the secret stones with me.
The torrential silver of the Urubamba
sends pollen flying to its yellow cup.
The empty vine goes flying,
the stony plant, the stiff garland
over the silent mountain gorge.
Come, miniscule life, between the wings
of the earth, while—crystal and cold, a buffeted air
dividing the clash of emeralds—
oh wild water you come down from the snow.

Love, love, until the sudden night,
from the Andes’ringing flintstone,
to the red knees of dawn,
study the blind child of the snow.

Oh Wilkamayu of resonant threads,
when you shatter your bands of thunder
into white spume, like wounded snow,
when your steep gale
sings and slashes arousing the sky,
what language do you bring to the ear
barely uprooted from your Andean foam?

Who seized the lightning of the cold
and left it chained on the heights,
split into its chilling tears,
shaken in its rapid swords,
beating its war-worn stamens,
borne on its warrior bed,
stormed in its rock-bound end?

What do your tormented flashings say?
Your secret insurgent lighting—did it
once travel thronging with words?
Who goes on crushing frozen syllables,
black languages, banners of gold,
bottomless mouths, throttled shouts,
in your slender arterial waters?

Who goes clipping floral eyelids
that come to gaze from the earth?
Who hurls the dead stalks down
that drop in your cascading hands
to thresh their threshed-out night
in geologic coal?

Who flings down the linking branch?
Who yet again buries farewells?

Love, love, do not touch the brink
or worship the sunken head:
let time extend full span
in its hall of broken wellsprings,
and between ramparts and rapid water
gather the air in the pass,
the wind’s parallel plating,
the blind channel of the cordillera,
the bitter greeting of the dew,
and climb through the denseness flower by flower,
trampling the serpent flung to earth.

In this cliff-hung region, stone and forest,
dust of green stars, jungle clarity,
Mantur breaks out like a living lake
or a new ledge of silence.

Come to my very being, to my own dawn,
up to the crowning solitude.

The dead realm lives on still.

And across the Sundial like a black ship
the ravening shadow of the condor cruises.

-- Pablo Neruda --

THE HEIGHTS OF MACCHU PICCHU: Canto VII

You dead of single abyss, shadows of one ravine,
the deepest, thus on a scale
with your greatness there came
the true, the most consuming
death and from the drilled-out rocks,
from the red-topped columns,
from the laddered aqueducts
you plummeted as in autumn
to one sole death.
Today the empty air does not weep,
is not familiar with your clayey feet,
forgets your pitchers that filtered the sky
when knives of lightning spilled it out,
and eaten by mist the might
tree was cut down by gusts.

It held up a hand that fell suddenly
down from the height to the end of time.
You’re no more now, spidery hands, frail
fibers, entangled web—
whatever you were fell away: customs, frayed
syllables, masks of dazzling light.

Yet a permanence of stone and word,
the city like a bowl, rose up in the hands
of all, living, dead, silenced, sustained,
a wall out of so much death, out of so much life a shock
of stone petals: the permanent rose, the dwelling place:
the glacial outposts on this Andean reef.

When the clay-colored hand
turned to clay and the eyes’ small lids fell shut,
filled with rugged walls, crowded with castles,
and when man lay all tangled in his hole,
there remained an upraised exactitude:
the high site of the human dawn:
the highest vessel that held silence in:
a life of stone after so many lives.

-- Pablo Neruda --

THE HEIGHTS OF MACCHU PICCHU: Canto VI

Then on the ladder of the earth I climbed
through the lost jungle’s tortured thicket
up to you, Macchu Picchu.
High city of laddered stones,
at last the dwelling of what earth
never covered in vestments of sleep.
In you like two lines parallel,
the cradles of lightning and man
rocked in a wind of thorns.

Mother of stone, spume of condors.

High reef of the human dawn.

Spade lost in the primal sand.

This was the dwelling, this is the place:
here the broad grains of maize rose up
and fell again like red hail.

Here gold thread came off the vicuña
to clothe lovers, tombs, and mothers,
king and prayers and warriors.

Here men’s feet rested at night
next to the eagles’ feet, in the ravenous
high nests, and at dawn
they stepped with the thunder’s feet onto the thinning mists
and touched the soil and the stones
till they knew them come night or death.

I look at clothes and hands,
the trace of water in an echoing tub,
the wall brushed smooth by the touch of a face
that looked with my eyes at the lights of earth,
that oiled with my hands the vanished
beams: because everything, clothing, skin, jars,
words, wine, bread,
is gone, fallen to earth.

And the air came in with the touch
of lemon blossom over everyone sleeping:
a thousand years of air, months, weeks of air,
of blue wind and iron cordillera,
that were like gentle hurricane footsteps
polishing the lonely boundary of stone.

-- Pablo Neruda --

THE HEIGHTS OF MACCHU PICCHU: Canto V

Solemn death it was not you, iron-plumed bird,
that the poor successor to those dwellings
carried among gulps of food, under his empty skin:
something it was, a spent petal of worn-out tope,
a shred of heart that fell short of struggle
or the harsh dew that never reached his face.
It was what could not be reborn, a bit
of petty death with no peace or place:
a bone, a bell, that were dying within him.
I lifted the iodine bandages, plunged my hands
into meager griefs that were killing off death,
and all I found in the wound was a cold gust
that passed through loose gaps in the soul.

-- Pablo Neruda --

THE HEIGHTS OF MACCHU PICCHU: Canto IV

The mightiest death invited me many times:
like invisible salt in the waves it was,
and what its invisible savor disseminated
was half like sinking and half like height
or huge structures of wind and glacier.

I came to the iron edge, the narrows
of the air, the shroud of fields and stone,
to the stellar emptiness of the final steps
and the dizzying spiral highway:
yet broad sea, oh death! not wave by wave you come
but like a gallop of nighttime clarity
or the absolute numbers of night.

You never came poking in pockets, nor could
you visit except in red robes,
in an auroral carpet enclosing silence,
in lofty and buried legacies of tears.

I could not in each creature love a tree
With its own small autumn on its back (the death of a
thousand leaves),
all the false deaths and resurrections
with no earth, no depths:
I wanted to swim in the broadest lives,
in the openest river mouths,
and as men kept denying me little by little,
blocking path and door so I would not touch
with my streaming hands their wound of emptiness,
then I went street after street and river after river,
city after city and bed after bed,
and my brackish mask crossed through waste places,
and in the last low hovels, no light, no fire,
no bread, no stone, no silence, along,
I roamed round dying of my own death.

-- Pablo Neruda --

THE HEIGHTS OF MACCHU PICCHU: Canto III

Lives like maize were threshed in the bottomless
granary of wasted deeds, of shabby
incidents, from one to sevenfold, even to eight,
and not one death but many deaths came each man’s way:
each day a petty death, dust, worm, a lamp
snuffed out in suburban mud, a petty fat-winged
death
entered each one like a short spear
and men were beset by bread or by the knife:
the drover, the son of seaports, the dark captain of the plow,
or those who gnaw at the cluttered streets:
all of them weakened, waiting their death, their brief death
daily,
and their dismal weariness each day was like
a black cup they drank down trembling.

-- Pablo Neruda --

THE HEIGHTS OF MACCHU PICCHU: Canto II

While flower to flower gives up the high seed
and rock keeps its flower sown
in a beaten coat of diamond and sand,
man crumples the peal of light he picks
in the deep-set springs of the sea
and drills the pulsing metal in his hands.
And soon, among clothes and smoke, on the broken table,
like a shuffled pack, there sits the soul:
quartz and sleeplessness, tears in the ocean
like pools of cold: yet still
man kills and tortures it with paper and with hate,
stuffs it each day under rugs, rends it
on the hostile trappings of the wire.

No: in corridors, air, sea, or roads,
who (like crimson poppy) keeps
no dagger to guard his blood? Anger has drained
the tradesman’s dreary trafficking in lives,
while in the height of the plum tree the dew
leaves its clear mark a thousand years
on the same waiting branch, oh heart, oh face ground down
among deep pits in autumn.

How many times in the city’s winter streets or in
a bus or a boat at dusk, or in the densest
solitude, that of night festivity, under the sound
of shadows and bells, in the very cave of human pleasure,
have I wanted to stop and seek the timeless fathomless vein
I touched in a stone once or in the lightning a kiss released.

(Whatever in grain like a yellow history
of small swelling breasts keeps repeating its number
ceaselessly tender in the germinal shells,
and identical always, what strips to ivory,
and what is clear native land welling up, a bell
from remotest snows to the blood-sown waves.)

I could grasp only a clump of faces or masks
thrown down like rings of hollow gold,
like scattered clothes, daughters of a rabid autumn
that shook the fearful races’ cheerless tree.

I had no place to rest my hand,
none running like linked springwater
or firm as a chunk of anthracite or crystal
to give back the warmth or cold of my outstretched hand.
What was man? Where in his simple talk
amid shops and whistles, in which of his metallic motions
lived the indestructible, the imperishable—life?

-- Pablo Neruda --

THE HEIGHTS OF MACCHU PICCHU: Canto I

From the air to the air, like an empty net,
I went on through streets and thin air, arriving and
leaving behind,
at autumn’s advent, the coin handed out
in the leaves, and between spring and ripe grain,
the fullness that love, as in a glove’s
fall, gives over to us like a long-drawn moon.

(Days of live brilliance in the storm
of bodies: steels transmuted
into silent acid:
nights raveled out to the final flour:
battered stamens of the nuptial land.)

Someone expecting me among violins
met with a world like a buried tower
sinking its spiral deeper than all
the leaves the color of rough sulfur:
and deeper yet, in geologic gold,
like a sword sheathed in meteors
I plunged my turbulent and gentle hand
into the genital quick of the earth.

I bent my head into the deepest waves,
dropped down through sulfurous calm
and went back, as if blind, to the jasmine
of the exhausted human spring.

Tuesday, May 27, 2008

YOU HAVE TO BE DEAF TO UNDERSTAND

What is it like to "hear" a hand?
You have to be Deaf to understand!

What is it like to be a small child,
In a school, in a room void of sound --
With a teacher who talks and talks and talks;
And then when she does come around to you,
She expects you to know what she's said?
You have to be Deaf to understand.

Or the teacher who thinks that to make you smart
You must first learn how to talk with your voice;
So mumbo-jumbo with hands on your face
For hours and hours without patience or end,
Until out comes a faint resembling sound?
You have to be Deaf to understand.

What is it like to be curious,
To thirst for knowledge you can call your own,
With an inner desire that's set on fire --
And you ask a brother, sister, or friend
Who looks in answer and says, "Never mind!"?
You have to be Deaf to understand.

What is it like in a corner to stand,
Though there's nothing you've done really wrong
Other than try to make use of your hands
To a silent peer to communicate
A thought that comes to your mind all at once?
You have to be Deaf to understand.

What is it like to be shouted at
When one thinks that will help you to hear;
Or misunderstand the words of a friend
Who is trying to make a joke clear,
And you don't get the point because he's failed?
You have to be Deaf to understand.

What is it like to be laughed in the face
When you try to repeat what is said;
Just to make sure that you ve understood,
And you find that the words were misread --
And you want to cry out, "Please help me, friend!"?
You have to be Deaf to understand.

What is it like to have to depend
Upon one who can hear to phone a friend;
Or place a call to a business firm
And be forced to share what's personal, and
Then find that your message wasn't made clear?
You have to be Deaf to understand.

What is it like to be Deaf and alone
In the company of those who can hear --
And you only guess as you go along,
For no one's there with a helping hand,
As you try to keep up with words and song?
You have to be Deaf to understand.

What is it like on the road of life
To meet with a stranger who opens his mouth --
And speaks out a line at a rapid pace;
And you can't understand the look in his face
Because it is new and you're lost in the race?
You have to be Deaf to understand.

What is it like to comprehend
Some nimble fingers that paint the scene,
And make you smile and feel serene
With the "spoken word" of the moving hand
That makes you part of the world at large?
You have to be Deaf to understand.

What is it like to "hear" a hand?
Yes, you have to be Deaf to understand!

-- Williard J. Madsen, 1972 -

Monday, May 26, 2008

GREAT BOOKS OF THE WESTERN WORLD

Volume 1

  • The Great Conversation

Volume 2

  • Syntopicon I: Angel, Animal, Aristocracy, Art, Astronomy, Beauty, Being, Cause, Chance, Change, Citizen, Constitution, Courage, Custom and Convention, Definition, Democracy, Desire, Dialectic, Duty, Education, Element, Emotion, Eternity, Evolution, Experience, Family, Fate, Form, God, Good and Evil, Government, Habit, Happiness, History, Honor, Hypothesis, Idea, Immortality, Induction, Infinity, Judgment, Justice, Knowledge, Labor, Language, Law, Liberty, Life and Death, Logic, and Love

Volume 3

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Volume 4

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Volume 5

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Volume 7

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Volume 8

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    • Categories
    • On Interpretation
    • Prior Analytics
    • Posterior Analytics
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    • On the Soul
    • Minor biological works

Volume 9

  • Aristotle
    • History of Animals
    • On the Parts of Animals
    • On the Motion of Animals
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    • Politics
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Volume 10

  • Hippocrates
    • Works
  • Galen
    • On the Natural Faculties

Volume 11

  • Euclid
  • Archimedes
    • On the Sphere and Cylinder
    • Measurement of a Circle
    • On Conoids and Pheroids
    • On Spirals
    • On the Equilibrium of Planes
    • The Sand-Reckoner
    • The Quadrature of the Parabola
    • On Floating Bodies
    • Book of Lemmas
    • The Method Treating of Mechanical Problems
  • Apollonius of Perga
    • On Conic Sections
  • Nicomachus of Gerasa
    • Introduction to Arithmetic

Volume 12

  • Lucretius
    • On the Nature of Things
  • Epictetus
    • The Discourses
  • Marcus Aurelius
    • The Meditations

Volume 13

  • Virgil
    • The Eclogues
    • The Georgics
    • The Aeneid

Volume 14

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    • The Lives of the Noble Grecians and Romans

Volume 15

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    • The Annals
    • The Histories

Volume 16

  • Ptolemy
    • The Almagest
  • Nicolaus Copernicus
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  • Johannes Kepler
    • Epitome of Copernican Astronomy (Books IV - V)
    • The Harmonies of the World (Book V)

Volume 17

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    • The Six Enneads

Volume 18

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    • The Confessions
    • The City of God
    • On Christian Doctrine

Volume 19

  • Thomas Aquinas
    • Summa Theologica (First part complete, selections from second part)

Volume 20

  • Thomas Aquinas
    • Summa Theologica (Selections from second and third parts and supplement)

Volume 21

  • Dante Alighieri
    • The Divine Comedy

Volume 22

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    • Troilus and Criseyde
    • The Canterbury Tales

Volume 23

  • Niccolò Machiavelli
    • The Prince
  • Thomas Hobbes
    • Leviathan

Volume 24

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    • Gargantua and Pantagruel

Volume 25

  • Michel Eyquem de Montaigne
    • Essays

Volume 26

  • William Shakespeare
    • The First Part of King Henry the Sixth
    • The Second Part of King Henry the Sixth
    • The Third Part of King Henry the Sixth
    • The Tragedy of Richard the Third
    • The Comedy of Errors
    • Titus Andronicus
    • The Taming of the Shrew
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    • Love's Labour's Lost
    • Romeo and Juliet
    • The Tragedy of King Richard the Second
    • A Midsummer-Night's Dream
    • The Life and Death of King John
    • The Merchant of Venice
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    • The Second Part of King Henry the Fourth
    • Much Ado About Nothing
    • The Life of King Henry the Fifth
    • Julius Caesar
    • As You Like It

Volume 27

  • William Shakespeare
    • Twelfth Night; or, What You Will
    • The Tragedy of Hamlet, Prince of Denmark
    • The Merry Wives of Windsor
    • Troilus and Cressida
    • All's Well That Ends Well
    • Measure For Measure
    • Othello, the Moor of Venice
    • King Lear
    • Macbeth
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    • The Tempest
    • The Famous History of the Life of King Henry the Eighth
    • Sonnets

Volume 28

  • William Gilbert
    • On the Loadstone and Magnetic Bodies
  • Galileo Galilei
    • Dialogues Concerning the Two New Sciences
  • William Harvey
    • On the Motion of the Heart and Blood in Animals
    • On the Circulation of Blood
    • On the Generation of Animals

Volume 29

  • Miguel de Cervantes
    • The History of Don Quixote de la Mancha

Volume 30

  • Sir Francis Bacon
    • Advancement of Learning
    • Novum Organum
    • New Atlantis

Volume 31

  • René Descartes
    • Rules for the Direction of the Mind
    • Discourse on the Method
    • Meditations on First Philosophy
    • Objections Against the Meditations and Replies
    • The Geometry
  • Benedict de Spinoza
    • Ethics

Volume 32

  • John Milton
    • English Minor Poems
    • Paradise Lost
    • Samson Agonistes
    • Areopagitica

Volume 33

  • Blaise Pascal
    • The Provincial Letters
    • Pensées
    • Scientific and mathematical essays

Volume 34

  • Sir Isaac Newton
    • Mathematical Principles of Natural Philosophy
    • Optics
  • Christian Huygens
    • Treatise on Light

Volume 35

  • John Locke
    • A Letter Concerning Toleration
    • Concerning Civil Government, Second Essay
    • An Essay Concerning Human Understanding
  • George Berkeley
    • The Principles of Human Knowledge
  • David Hume
    • An Enquiry Concerning Human Understanding

Volume 36

  • Jonathan Swift
    • Gulliver's Travels
  • Laurence Sterne
    • The Life and Opinions of Tristram Shandy, Gentleman

Volume 37

  • Henry Fielding
    • The History of Tom Jones, a Foundling

Volume 38

  • Charles de Secondat, Baron de Montesquieu
    • The Spirit of the Laws
  • Jean Jacques Rousseau
    • A Discourse on the Origin of Inequality
    • A Discourse on Political Economy
    • The Social Contract

Volume 39

  • Adam Smith
    • An Inquiry into the Nature and Causes of the Wealth of Nations

Volume 40

  • Edward Gibbon
    • The Decline and Fall of the Roman Empire (Part 1)

Volume 41

  • Edward Gibbon
    • The Decline and Fall of the Roman Empire (Part 2)

Volume 42

  • Immanuel Kant
    • The Critique of Pure Reason
    • Fundamental Principles of the Metaphysic of Morals
    • The Critique of Practical Reason
    • Excerpts from The Metaphysics of Morals
      • Preface and Introduction to the Metaphysical Elements of Ethics with a note on Conscience
      • General Introduction to the Metaphysic of Morals
      • The Science of Right
    • The Critique of Judgement

Volume 43

Volume 44

  • James Boswell
    • The Life of Samuel Johnson, LL.D.

Volume 45

  • Antoine Laurent Lavoisier
    • Elements of Chemistry
  • Jean Baptiste Joseph Fourier
    • Analytical Theory of Heat
  • Michael Faraday
    • Experimental Researches in Electricity

Volume 46

  • Georg Wilhelm Friedrich Hegel
    • The Philosophy of Right
    • The Philosophy of History

Volume 47

  • Johann Wolfgang von Goethe
    • Faust

Volume 48

  • Herman Melville
    • Moby Dick; or, The Whale

Volume 49

  • Charles Darwin
    • The Origin of Species by Means of Natural Selection
    • The Descent of Man and Selection in Relation to Sex

Volume 50

  • Karl Marx
    • Capital
  • Karl Marx and Friedrich Engels
    • Manifesto of the Communist Party

Volume 51

  • Count Leo Tolstoy
    • War and Peace

Volume 52

  • Fyodor Mikhailovich Dostoevsky
    • The Brothers Karamazov

Volume 53

  • William James
    • The Principles of Psychology

Volume 54

  • Sigmund Freud
    • The Origin and Development of Psycho-Analysis
    • Selected Papers on Hysteria
    • The Sexual Enlightenment of Children
    • The Future Prospects of Psycho-Analytic Therapy
    • Observations on "Wild" Psycho-Analysis
    • The Interpretation of Dreams
    • On Narcissism
    • Instincts and Their Vicissitudes
    • Repression
    • The Unconscious
    • A General Introduction to Psycho-Analysis
    • Beyond the Pleasure Principle
    • Group Psychology and the Analysis of the Ego
    • The Ego and the Id
    • Inhibitions, Symptoms, and Anxiety
    • Thoughts for the Times on War and Death
    • Civilization and Its Discontents
    • New Introductory Lectures on Psycho-Analysis

SECOND EDITION

Volume 20

  • John Calvin
    • Institutes of the Christian Religion (Selections)

Volume 23

  • Erasmus
    • The Praise of Folly

Volume 31

  • Molière
    • The School for Wives
    • The Critique of the School for Wives
    • Tartuffe
    • Don Juan
    • The Miser
    • The Would-Be Gentleman
    • The Would-Be Invalid
  • Jean Racine
    • Bérénice
    • Phèdre

Volume 34

  • Voltaire
    • Candide
  • Denis Diderot
    • Rameau's Nephew

Volume 43

  • Søren Kierkegaard
    • Fear and Trembling
  • Friedrich Nietzsche
    • Beyond Good and Evil

Volume 44

  • Alexis de Toqueville
    • Democracy in America

Volume 45

  • Honoré de Balzac
    • Cousin Bette

Volume 46

  • Jane Austen
    • Emma
  • George Eliot
    • Middlemarch

Volume 47

  • Charles Dickens
    • Little Dorrit

Volume 48

  • Mark Twain
    • Huckleberry Finn

Volume 52

  • Henrik Ibsen
    • A Doll's House
    • The Wild Duck
    • Hedda Gabler
    • The Master Builder

The six volumes of 20th century material consisted of the following:

Volume 55

  • William James
    • Pragmatism
  • Henri Bergson
    • An Introduction to Metaphysics
  • John Dewey
    • Experience in Education
  • Alfred North Whitehead
    • Science and the Modern World
  • Bertrand Russell
    • The Problems of Philosophy
  • Martin Heidegger
    • What Is Metaphysics?
  • Ludwig Wittgenstein
    • Philosophical Investigations
  • Karl Barth
    • The Word of God and the Word of Man

Volume 56

  • Henri Poincaré
    • Science and Hypothesis
  • Max Planck
    • Scientific Autobiography and Other Papers
  • Alfred North Whitehead
    • An Introduction to Mathematics
  • Albert Einstein
    • Relativity: The Special and the General Theory
  • Arthur Eddington
    • The Expanding Universe
  • Niels Bohr
    • Atomic Theory and the Description of Nature (selections)
    • Discussion with Einstein on Epistemology
  • G. H. Hardy
    • A Mathematician's Apology
  • Werner Heisenberg
    • Physics and Philosophy
  • Erwin Schrödinger
    • What Is Life?
  • Theodosius Dobzhansky
    • Genetics and the Origin of Species
  • C. H. Waddington
    • The Nature of Life

Volume 57

  • Thorstein Veblen
    • The Theory of the Leisure Class
  • R. H. Tawney
    • The Acquisitive Society
  • John Maynard Keynes
    • The General Theory of Employment, Interest and Money

Volume 58

  • Sir James George Frazer
    • The Golden Bough (selections)
  • Max Weber
    • Essays in Sociology (selections)
  • Johan Huizinga
    • The Waning of the Middle Ages
  • Claude Lévi-Strauss
    • Structural Anthropology (selections)

Volume 59

  • Henry James
    • The Beast in the Jungle
  • George Bernard Shaw
    • Saint Joan
  • Joseph Conrad
    • Heart of Darkness
  • Anton Chekhov
    • Uncle Vanya
  • Luigi Pirandello
    • Six Characters in Search of an Author
  • Marcel Proust
  • Willa Cather
    • A Lost Lady
  • Thomas Mann
    • Death in Venice
  • James Joyce
    • A Portrait of the Artist as a Young Man

Volume 60

  • Virginia Woolf
    • To the Lighthouse
  • Franz Kafka
    • The Metamorphosis
  • D. H. Lawrence
    • The Prussian Officer
  • T. S. Eliot
    • The Waste Land
  • Eugene O'Neill
    • Mourning Becomes Electra
  • F. Scott Fitzgerald
    • The Great Gatsby
  • William Faulkner
    • A Rose for Emily
  • Bertolt Brecht
    • Mother Courage and Her Children
  • Ernest Hemingway
    • The Short Happy Life of Francis Macomber
  • George Orwell
    • Animal Farm
  • Samuel Beckett
    • Waiting for Godot
Those titles that are in bold and shade of blue are the books that I've read already... Hmmm... So few... I think it's time to grab some more books from the library...

Hehehe!